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I like both of those guys a lot. Heres how it works. The thing about it was he was on vacation in Hawaii in thereally late 80s early 90s and just happened to walk into a shop and this was hanging th " '64 Firebird lll, His tech is mistaken; it's not a VII. If there was three of us playing, one of us might play that. Theyre both difficult in their own way. And ever since, youve been the guitar player who Tom seems reluctant to go into the studio without. Two other Rickenbacker guitars in his arsenal, however, are never far from reach. Don't miss the latest deals, news, reviews, features and tutorials. He sat on it, yeah, and broke the neck off in the studio.. So the non-Tom Petty model specs out the same. I wasnt playing guitar yet, but I just loved the sound of it, Scotty Moore stuff, and of course Buddy Hollys guitar playing. Or are you more likely to buy something because you need a certain sound for a certain song. We grew up doing this (laughs)! As for the infamous Rickenbacker that accompanies Petty on the cover of 1979s Damn The Torpedoes, Campbell says its as important to him as it is to every guitar lover whos stared at it over the years. Rockpalast Tom Petty & The Heartbreakers (Live) 1999, Andrew Hendryx on a 64 Fender Mandocaster, George Bowen Guitar Summit to Benefit ALS Research, Guitarist/Producer Yates McKendree Shines on Wise, Vinnie Moores Pandemic Musical Inspiration, Seymour Duncan Sails Into VG Hall of Fame. $3.39 to $5.99. I Walk The Line. He also played Buddy Hollys Thatll Be the Day, Fools Paradise, and lots of Elvis all the great Elvis/Scotty Moore records. Through that experience, I got some records and really got interested in 50s rock. Mike Campbell & The Dirty Knobs have unveiled a new track from their forthcoming album External Combustion. A subscription makes a thoughtful gift for both family and friends. That Excelsior, because they have the green one and other ones, but Nate White, at Fender, when these came out Mike did something with Danny Harrison at A&M and that Green Fender amp was there and he asked about getting it. "'That's weird,' Tom said, 'it kinda sounds like me,'". Rock and roll without it would be kinda sad, wouldnt it? In the history of the band, what are the most important guitars? I love the Fender Deluxe, and I play the Vox AC30 quite a bit. But this is the stuff that he couldnt part with. Campbell has been of significant play in the Heartbreakers and has been co-writers with petty for many of the band's hit songs. Amongst his peers today, Petty is revered. Theyre not noticeably different. Campbell is playing a Gold Top with coverless P-90s, a guitar that remains one of his go-to Gibsons. We just werent ready to make a record. I could make it work. CAMPBELL! A good example is You Got Lucky, which was rather high-concept in an era when artists were largely doing performance videos standing in front the camera, pretending to play or sing along. And I have a 1940 00-18, which is Rick Rubins favorite. Paul Gray was first and foremost an incredible songwriter, who contributed some of the best stuff Slipknot has ever put out. Rickenbacker makes mandolins, but they look like this: Attached Thumbnails. Mike Campbell - guitar [3] Bob Glaub - bass guitar [3] Little Steven - rhythm and lead guitar [6] Tony Gilkyson - guitar [7] Production Jimmy Iovine - producer Shelly Yakus - engineer, mixing, overdub engineer Joe Chiccarelli - engineer, overdub engineer Greg Edward - engineer, mixing, overdub engineer Thom Panunzio - engineer, overdub engineer And those are the things I end up going back and listening to again, more than the newer stuff. Fender Excelsior Pawn Shop Tube Guitar Amp. We think whoever had it filed the horn down to make it look like Johns and painted it black. But I did my best, and I didnt really think it was very good. In fact, over-the-top great. Yeah, well is was back in days of the Vietnam draft, and I had drawn a really low number, so I knew I was going to be called if I dropped out. But I really concentrated on being I guess, because Id been a bass player, I wanted to play rhythm in a real solid way. Its so easy to play. I studied it quite a bit at slow speed and tried to figure out what he was doing. But it all started playing friends parties and school dances in Gainesville, Florida. She may not be the best cook. Featuring a Laminated Flame Maple back and sides with a Laminate Spruce top, this semi hollow design with sustain block allows for a stable, rich, resonant and dynamic tone. His reluctance, and his clearly busy schedule, leads to an obvious question: with the Heartbreakers on such a high after Hypnotic Eye and a successful tour, how long does he think it will go on? Youre joining this band. And thats where everything changed. Thats a beautiful-sounding guitar, too, but its so valuable now that I leave it at home.. I want to play good instruments, and I dont have much patience with new instruments. What are you waiting for. The guitar has always been the archetypal thing, to me. They really throw it out nicely onstage. Well, I do see them as works of art. We used them on the new record. As for effects, there is a Boss GT6 multi-effects unit on sale, but don't spend all your money on that until you've considered the MKII Watkins Copicat tape echo, which would look nice in your home studio, right? Campbell should be proud. Im very much in love with the early-60s Fenders. I actually auditioned for Tom on that thing. I was considering joining the Air Force, so when Tom asked if I wanted to join the band I said, Well, Im in school and Im thinking about signing up for the Air Force. And he said Are you crazy? When I play it on another guitar it sounds okay, but it just doesnt have the same magic". Also LA, because thats sort of our home town, maybe Chicago and, on this tour, Seattle and Fenway Park in Boston. And he just gave it to me. Hed put a little blackface Fender Champ with two microphones out there, and most of the time wed just plug in and move the mics around to find a sweet spot in the room for a particular song. It sounds better than any of your other guitars! I told him I leave it at home but I use it in the studio. And so yeah, I think the 12-string is always that solidbody Rick. $24.99. Id like to give it to you.. Thank you for reading 5 articles this month*, US pricing $3.99 per month or $39.00 per year, UK pricing 2.99 per month or 29.00 per year, Europe pricing 3.49 per month or 34.00 per year, *Read 5 free articles per month without a subscription. It's the epitome of picking a niche theme, going all in, and nailing it. Theyre not in cases, theyre actually in a hallway where theyre visible and easily accessible. Jan 19, 2019 - Explore Janet's board "Mike Campbell" on Pinterest. On the single, Saving Grace. He used a Vox for that for the slide part, and actually I played the rhythm part on it. He is quoted as saying "I have a Fender Telecaster I call Red Dog. Weve found more of them, but none quite have the same sound and this feel. But I didnt know any better! I had a Gibson Dove, and he had the Stratocaster. Theres a lot of Heartbreakers records that weve had to build up, as well. 9 #5, published March 2008, Mike Campbell states the following: We love them because we love the Beatles and we assumed that they were using AC30s. Wed never played Fenway and that was epic. It used to have this great built-in fuzz and the destruct button built into it. King and was recommended to Campbell by the Cars, plus a variety of Fender combos. I didnt know better and put a string bender in it! It has two Gibson humbucking pickups and a normal Telecaster pickup in the bridge.". Which we didnt discover, but George Harrison discovered because he had the second one. Id really like to find one of those. I finally just threw it in the corner and got an electric Kay. BA1 1UA. Only one thing that got me hooked. Mentioned in this March 1983 Musician article. Free UK Delivery! Yeah, Heartbreakers records are a democratic process; everybodys got input and its all shuffled around. Or why not treat yourself? Those are our main ones. So Id like the opportunity to live a somewhat normal life for a while; our life has really been either on the road or in the studio, and very little else. Those few years of collaboration really made me come back to the band with a more experienced, wider scale of music to work with. So when I got back to town, I called him and said, Ive got some tracks that Tom doesnt want to use, and said he could listen to those if he liked. But that broke up, and then I saw an ad that said Mudcrutch was looking for a drummer. Hes been writing and editing stories about new gear, technique and guitar-driven music both old and new since 2014, and has also written extensively on the same topics for Guitar Player (opens in new tab). You dont say, Oh, this is the wrong well, so Im not going to take it! You take what youre given, and hope its from a good place.. I think especially the singing sounded really young, Campbell says when we ask him what, after making so many albums, was different this time around. I prefer to have the Broadcaster out but for whatever reason he'll take it out. I focused on everything. The Tom Petty and the Heartbreakers and Fleetwood Mac guitar legend tells the story of his '59 'Burst Les Paul, the '62 SG Junior he played on Runnin Down a Dream and more. Heres how it works. All those bands that broke up far earlier than we did, or all those bands that are still together but just hate each other thats not us. 1. I kind of keyed on the last big tour thing. This is 'Free Falling.' It spawns the hits "I Won't Back Down," "Free Fallin'" and "Runnin' Down A Dream" and remains in the Top 10 for 34 weeks. Well, I would get together in the garage with buddies, but I never really joined a band until I met up with Tom in Gainesville, after Id gone to college. Kept in immaculate condition, the guitar was used by Campbell to write the riff for Tom Petty's Good Enough. But theyre also both inspiring in their own way. One side of Campbell's guitar arsenal covers all the bases. So he got this guitar to me to let Tom check it out and it stayed in a case for two weeks, we were at the Hollywood Bowl, and Nathan came back and said 'Hey, what about that guitar?' As long as weve been doing this, we still draw from the same places and people who inspired us when we were young. Do you remember how the concept was pitched to you? So it has the same wiring and sound as Georges. He was a member of Tom Petty and the Heartbreakers and co-wrote many of the band's hits with Petty, including "Refugee", "Here Comes My Girl", "You Got Lucky", and "Runnin' Down a Dream". But I used it in that video because its the guitar I used to record the solo on Refugee.. I dont buy something unless it works, and I can use it. Its funny my original 1950 Broadcaster and 64 Stratocaster I always go back to them or it might just be the one I bought this year! Those two bottles and an old tshirt will get your D-28 looking great. She showed up one day and said, Remember that $200? I said, You caught me on a good day! (laughs). Yeah, I do it all the time. Its just like heaven. Hes an amazing, talented fellow, and I probably learned something from everybody there, just because everybody has a different method and way of working. Yeah, the Red Dog. We bought that in Florida from an old guitar student of mine. Then I got my draft notice, took the physical, and failed the hearing test. Well, I thought it was kind of a strange call, but interesting. We made some demos, sent them out to a bunch of record companies, and got rejected by almost everybody except for London and Denny Cordells label, Shelter. Mike Campbell, guitar player from Tom Petty and the Heartbreakers does not clean his guitars either. 8,062. "I like this because it has a string bender on it, which is rare on a Gibson. I was going to ask how big that number might be. Pettys partner in nearly every step of the music-making process, Campbell is the epitome of the musical right-hand man. So I made the neck wider, and changed a few cosmetic things put the gold pickup and gold pickguard on the sunburst, which I dont think they were doing. Other guitars include a 1980s Gibson Les Paul Black Beauty '55 Reissue, bought as a road dog to spare his '56 original, a 1950s Kay Barney Kessel Artist and an Italia Monza with a built-in amplifier. The sunburst 64 Strat youre touring with now and have played for years, is that Mikes guitar? You pushed it and it just got this great overdrive buzz. I just woke up the other day and realized that I have been collecting guitars and amps my whole life and I just don't have room for a lot of them anymore, said Campbell. Petersen Concert guitar model A 6. I think when I was a teenager, there were probably dozens I wanted but couldnt afford. Were really tuned into different tones when were making records, you know? Custom Guitar Picks. But the truth is, ours a working collection. "Second of all,I dont know if I want to be responsible for their career, you know? From most interviews that I have read, it looks like the Blackface Princeton and Tweed Deluxe do most of the heavy lifting. Wed build tracks up, usually with acoustics, and overdub the other instruments to finish it off. That may or may not happen," says Mike Campbell's guitar tech about the Way Huge Camel On page 3 of his interview in Tone Quest Report Vol. He was in the Air Force, and hed come home from work, take off his uniform, and put on an Elvis record. I can see it coming down to fewer shows. $4.99 shipping. Holding the groove down and a sense of melody, tone all of those things. According to Leilani Laca, Tazzy founder, the major impetus for Mike and Marcie . In this photo, Campbell is seen playing the mapleglo Rickenbacker 330. We go inside Mike Campbell's drool-inducing lineup of vintage guitars and amps he brings on the road. And amongst fans, hes a hero who, while keeping them entertained through parts of four decades, has battled to hold down the retail prices of his albums and concert tickets. Actually, I did form a band before that a three-piece sort of blues-jam band. I like Vox guitars a lot. Though open to music of all kinds, his greatest love has always been indie, and everything that falls under its massive umbrella. And I said, You gotta get this! Well, I liked the first album a lot because that was sort of us discovering what we were gonna be. And I pulled it out for this tour and said to Tom, Why dont you try this? And he said, Theres the sound. All the other guitars theyre all good, but that guitar just has that tone. If the Heartbreakers are tracking, and all playing at the same time and trying to get a performance on the song a live performance and theres a call for a guitar solo, I like to try to get it within the performance of the band or at least get the essence of it. Theres a 1956 J-200 acoustic guitar, a Gold Top Les Paul Standard with coverless P-90s. Yeah, absolutely Carl Wilson was absolutely an influence. Campbell himself mentions the Rat in this September 1999 "Spotlight on a Heartbreaker" interview from the official Tom Petty & the Heartbreakers website. I don't know. And who else there arent too many new/younger bands that I listen to much. Finally, theres a mid-60s Gibson SG that Campbells been favoring for this tour after recently digging it out of storage. Oh, yeah my god I wouldnt want that responsibility (laughs)! Heres how it works. She . Here he's playing a late-'60s Dan Armstrong lucite model. Its been a while since Ive done that, because I realised its really a lot of work, Campbell says with a laugh, though hes clearly serious about his work ethic. Brian Jones was a really good rhythm guitarist, I thought, and rhythm guitar is a lost art, you know? Mike from Indianapolis Good interview! And it was a coincidence that the Martins all showed up right then, but we were so pleased with them. Blair has a different kind of tone very clear. Mike Campbell Roles Guitarist Genres Rock Pop Groups Tom Petty and the Heartbreakers Fleetwood Mac show all ALL 84 Guitars 32 Amplifiers 12 Effects Pedals 22 Studio Equipment 8 World Instruments 2 Cables 1 Microphones 3 Strings 1 Bass Guitars 1 Studio Monitors 2 Sort by: Most Relevant Hide incorrect submissions Together, the two have been the key to an unmistakable rock and roll sound created by one of pop musics longest-lasting entities.